{"id":11525,"date":"2026-04-13T03:41:41","date_gmt":"2026-04-13T03:41:41","guid":{"rendered":"https:\/\/professnow.com\/profession\/top-10-best-sound-technician-in-osaka\/"},"modified":"2026-04-13T03:41:41","modified_gmt":"2026-04-13T03:41:41","slug":"top-10-best-sound-technician-in-osaka","status":"publish","type":"post","link":"https:\/\/professnow.com\/profession\/top-10-best-sound-technician-in-osaka\/","title":{"rendered":"Top 10 Best Sound Technician in Osaka (Verified &#038; Reviewed Guide)"},"content":{"rendered":"\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Introduction<\/h2>\n\n\n\n<p>People look for a Sound Technician in Osaka when the stakes are high: a wedding reception that must sound clean, a corporate event where every word matters, a live show where feedback can ruin a set, or a conference where hybrid audio has to \u201cjust work.\u201d<\/p>\n\n\n\n<p>This guide explains what a Sound Technician actually does, what it typically costs in Osaka, and how to vet candidates quickly\u2014especially when you need dependable on-site support and clear communication.<\/p>\n\n\n\n<p>Because many excellent audio engineers in Osaka work freelance and don\u2019t publish consistent business details, this list focuses on providers and venues with clearly identifiable, official web presence and service pathways. Where ratings, years, pricing, or review summaries are not reliably public, you\u2019ll see <strong>\u201cNot publicly stated.\u201d<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">About Sound Technician<\/h2>\n\n\n\n<p>A Sound Technician (often called a live sound engineer, PA technician, audio engineer, or A1\/A2 depending on role) handles the planning, setup, and operation of sound systems so your audience hears clear, balanced audio without noise, distortion, or feedback.<\/p>\n\n\n\n<p>In practice, that can include selecting microphones, patching a mixer, tuning speakers to the room, running monitors for performers, managing wireless frequencies, recording a multitrack, or coordinating with lighting\/video teams. The best technicians are equal parts technical and calm under pressure.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">When you might need a Sound Technician in Osaka<\/h3>\n\n\n\n<p>You\u2019ll typically hire a Sound Technician for:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Live music events (clubs, halls, festivals)<\/li>\n<li>Weddings and receptions (speeches, background music, performances)<\/li>\n<li>Corporate events and conferences (lecterns, panel mics, Q&amp;A, translation feeds)<\/li>\n<li>Hybrid \/ livestream events (audio routing to streaming encoders)<\/li>\n<li>Film\/video shoots (location sound, IFB monitoring) \u2014 role may overlap with production sound<\/li>\n<li>Recording sessions (studio engineer) \u2014 depends on the studio and production needs<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Average cost in Osaka<\/h3>\n\n\n\n<p><strong>Varies \/ depends.<\/strong> In Osaka, pricing is commonly quoted as a half-day\/day rate or per-event package, often influenced by whether equipment is included.<\/p>\n\n\n\n<p>Ballpark ranges you may encounter (as a practical planning guide, not a universal rate):<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Engineer only (no PA rental):<\/strong> often quoted per hour or per half-day\/day  <\/li>\n<li><strong>Engineer + PA system package:<\/strong> typically priced per event, scaled by audience size and complexity  <\/li>\n<li><strong>Corporate\/venue technical packages:<\/strong> often bundled through the venue and may include mandatory in-house staffing<\/li>\n<\/ul>\n\n\n\n<p>If you want an accurate quote, expect to share: venue address, audience size, run-of-show, number of microphones, whether you need monitors, and whether the event is livestreamed.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Licensing or certifications (Osaka \/ Japan)<\/h3>\n\n\n\n<p>For most live event audio work in Japan, there is <strong>no single universal \u201clicense\u201d required<\/strong> to work as a Sound Technician. However, requirements can be imposed by:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The venue\u2019s internal rules (mandatory in-house crew, approved vendors)<\/li>\n<li>Event safety policies (rigging, cable management, power distribution)<\/li>\n<li>Specific system standards (digital audio networking, broadcast workflows)<\/li>\n<\/ul>\n\n\n\n<p>Common <em>helpful<\/em> (not always required) credentials include manufacturer trainings (e.g., digital console platforms) and audio networking certifications (e.g., Dante). Whether a provider holds these is <strong>Not publicly stated<\/strong> unless they publish it.<\/p>\n\n\n\n<p><strong>Key takeaways<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A Sound Technician protects intelligibility (speech clarity) and musical balance in real time.<\/li>\n<li>In Osaka, many events are served via <strong>venue technical teams<\/strong> or <strong>production companies<\/strong> rather than individual listings.<\/li>\n<li>Costs <strong>vary widely<\/strong> based on equipment, scale, and rehearsal time.<\/li>\n<li>Venues may require in-house technicians even if you bring your own production team.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">How We Selected the Best Sound Technician in Osaka<\/h2>\n\n\n\n<p>We used a practical, local-search-oriented set of criteria:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Years of experience:<\/strong> Noted only when publicly stated; otherwise marked as unknown<\/li>\n<li><strong>Verified customer review signals (publicly available only):<\/strong> Looked for clear, attributable review footprints; if unclear, marked unknown<\/li>\n<li><strong>Service range:<\/strong> Live sound, corporate AV, hybrid\/streaming audio, venue technical services<\/li>\n<li><strong>Pricing transparency:<\/strong> Whether pricing is published or clearly explained during inquiry<\/li>\n<li><strong>Local reputation:<\/strong> Visibility in Osaka\u2019s event ecosystem (venues, production networks, established operators)<\/li>\n<\/ul>\n\n\n\n<p>This guide uses only information that is publicly available when known. Where details aren\u2019t published consistently (common in this industry), entries are kept conservative rather than guessing.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">About Osaka<\/h2>\n\n\n\n<p>Osaka is one of Japan\u2019s busiest event and entertainment cities, with constant demand for reliable audio support across <strong>live music<\/strong>, <strong>corporate conferences<\/strong>, <strong>trade events<\/strong>, and <strong>private celebrations<\/strong>. The city\u2019s density of venues means sound work often involves tight load-in windows, strict noise controls, and multi-team coordination.<\/p>\n\n\n\n<p>Service demand is especially strong around major stations and commercial areas, plus the bay area where large venues and event spaces operate. Many clients choose venue-aligned technical teams for predictability, while others hire independent production companies for custom staging.<\/p>\n\n\n\n<p><strong>Key neighborhoods commonly served (varies by provider):<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Umeda \/ Kita<\/li>\n<li>Namba \/ Minami<\/li>\n<li>Shinsaibashi<\/li>\n<li>Tennoji<\/li>\n<li>Sakai (greater Osaka area)<\/li>\n<li>Suita \/ Senri (greater Osaka area)<\/li>\n<li>Osaka Bay Area (event\/venue clusters)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Top 5 Best Sound Technician in Osaka<\/h2>\n\n\n\n<p>Many highly skilled Sound Technician providers in Osaka do not publish complete business profiles (rates, direct emails, or review summaries) in English or in a consistent format. To avoid listing unverified freelancers or incomplete entities, the options below prioritize established organizations and venues with clear official web presence and defined technical service pathways.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">#1 \u2014 Hibino Corporation (Osaka operations)<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rating: Not publicly stated<\/li>\n<li>Years of Experience: Not publicly stated<\/li>\n<li>Services Offered: Professional audio services (varies by project), event production support, sound system planning\/integration (varies \/ depends), and related AV capabilities depending on scope and staffing<\/li>\n<li>Price Range: Varies \/ depends (typically quoted per project or event)<\/li>\n<li>Contact Phone: Not publicly stated<\/li>\n<li>Contact Email (if available): Not publicly stated<\/li>\n<li>Website (if available): https:\/\/www.hibino.co.jp\/<\/li>\n<li>Google Map or ProfessNow or Yelp Link:<\/li>\n<li>Google Reviews Summary: Not publicly stated<\/li>\n<li>Best For (Budget \/ Emergency \/ Premium \/ Family-Friendly \/ etc.): Premium, complex events, corporate productions, large-scale technical coordination<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">#2 \u2014 Billboard Live OSAKA (In-house sound team via venue)<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rating: Not publicly stated<\/li>\n<li>Years of Experience: Not publicly stated<\/li>\n<li>Services Offered: In-venue live sound engineering and technical operations for performances and hosted events (scope depends on venue booking and production requirements)<\/li>\n<li>Price Range: Varies \/ depends (often structured through venue booking and technical fees)<\/li>\n<li>Contact Phone: Not publicly stated<\/li>\n<li>Contact Email (if available): Not publicly stated<\/li>\n<li>Website (if available): https:\/\/www.billboard-live.com\/<\/li>\n<li>Google Map or ProfessNow or Yelp Link:<\/li>\n<li>Google Reviews Summary: Not publicly stated<\/li>\n<li>Best For (Budget \/ Emergency \/ Premium \/ Family-Friendly \/ etc.): Premium venue shows, artist performances, clients needing a controlled venue environment<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">#3 \u2014 Zepp Osaka Bayside (In-house sound team via venue)<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rating: Not publicly stated<\/li>\n<li>Years of Experience: Not publicly stated<\/li>\n<li>Services Offered: Live concert venue technical services, including on-site sound engineering support aligned with venue production workflows (details vary by event and promoter requirements)<\/li>\n<li>Price Range: Varies \/ depends<\/li>\n<li>Contact Phone: Not publicly stated<\/li>\n<li>Contact Email (if available): Not publicly stated<\/li>\n<li>Website (if available): https:\/\/www.zepp.co.jp\/hall\/osakabayside\/<\/li>\n<li>Google Map or ProfessNow or Yelp Link:<\/li>\n<li>Google Reviews Summary: Not publicly stated<\/li>\n<li>Best For (Budget \/ Emergency \/ Premium \/ Family-Friendly \/ etc.): Large live music events, touring acts, promoter-led productions<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">#4 \u2014 Grand Cube Osaka (Osaka International Convention Center) Technical Services<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rating: Not publicly stated<\/li>\n<li>Years of Experience: Not publicly stated<\/li>\n<li>Services Offered: Conference and event technical support (including audio) for halls and meeting spaces; microphone systems, lectern audio, and event sound operations (scope varies by hall and event format)<\/li>\n<li>Price Range: Varies \/ depends (often bundled or quoted through venue technical services)<\/li>\n<li>Contact Phone: Not publicly stated<\/li>\n<li>Contact Email (if available): Not publicly stated<\/li>\n<li>Website (if available): https:\/\/www.gco.co.jp\/english\/<\/li>\n<li>Google Map or ProfessNow or Yelp Link:<\/li>\n<li>Google Reviews Summary: Not publicly stated<\/li>\n<li>Best For (Budget \/ Emergency \/ Premium \/ Family-Friendly \/ etc.): Corporate conferences, conventions, multi-room events, hybrid-ready venues (availability varies)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">#5 \u2014 Osaka-j\u014d Hall (Osaka-Jo Hall) Technical Services<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rating: Not publicly stated<\/li>\n<li>Years of Experience: Not publicly stated<\/li>\n<li>Services Offered: Large venue event technical operations where audio is handled through venue\/event production workflows (scope varies by event and promoter arrangements)<\/li>\n<li>Price Range: Varies \/ depends<\/li>\n<li>Contact Phone: Not publicly stated<\/li>\n<li>Contact Email (if available): Not publicly stated<\/li>\n<li>Website (if available): https:\/\/www.osaka-johall.com\/<\/li>\n<li>Google Map or ProfessNow or Yelp Link:<\/li>\n<li>Google Reviews Summary: Not publicly stated<\/li>\n<li>Best For (Budget \/ Emergency \/ Premium \/ Family-Friendly \/ etc.): Arena-scale events, high-attendance productions, structured venue-led operations<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Comparison Table<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table>\n<thead>\n<tr>\n<th>Professional<\/th>\n<th style=\"text-align: right;\">Rating<\/th>\n<th style=\"text-align: right;\">Experience<\/th>\n<th>Price Range<\/th>\n<th>Best For<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Hibino Corporation (Osaka operations)<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td>Varies \/ depends<\/td>\n<td>Premium, complex events<\/td>\n<\/tr>\n<tr>\n<td>Billboard Live OSAKA (In-house)<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td>Varies \/ depends<\/td>\n<td>Premium venue shows<\/td>\n<\/tr>\n<tr>\n<td>Zepp Osaka Bayside (In-house)<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td>Varies \/ depends<\/td>\n<td>Large live music events<\/td>\n<\/tr>\n<tr>\n<td>Grand Cube Osaka Technical Services<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td>Varies \/ depends<\/td>\n<td>Conferences &amp; conventions<\/td>\n<\/tr>\n<tr>\n<td>Osaka-j\u014d Hall Technical Services<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td style=\"text-align: right;\">Not publicly stated<\/td>\n<td>Varies \/ depends<\/td>\n<td>Arena-scale events<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/figure>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Cost of Hiring a Sound Technician in Osaka<\/h2>\n\n\n\n<p>In Osaka, Sound Technician pricing typically falls into three buckets: <strong>engineer-only<\/strong>, <strong>engineer + equipment<\/strong>, or <strong>venue technical services<\/strong>. The right model depends on whether you\u2019re producing an event in a private space (hotel ballroom, restaurant, outdoor site) or inside a venue with its own technical policies.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Average price range<\/h3>\n\n\n\n<p><strong>Varies \/ depends.<\/strong> Many quotes are built around:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A half-day or day rate for labor (setup, soundcheck, show operation, teardown)<\/li>\n<li>Rental fees for PA, microphones, wireless systems, monitors, and cabling<\/li>\n<li>Additional staff for larger shows (A2, patch tech, monitor engineer)<\/li>\n<\/ul>\n\n\n\n<p>If you\u2019re comparing quotes, make sure each proposal includes the same scope: number of hours on-site, whether rehearsal is included, and whether load-in\/out time is billed.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Emergency pricing<\/h3>\n\n\n\n<p>Emergency or last-minute bookings may cost more due to staffing and logistics. If a provider must source additional crew or equipment quickly, expect higher rates. Exact multipliers are <strong>Not publicly stated<\/strong> and vary by provider and date.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What affects cost (most common factors)<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Event size and audience count (small room vs. hall)<\/li>\n<li>Number of inputs (mics\/DI lines) and monitor mixes<\/li>\n<li>Equipment needs (wireless mics, in-ear monitoring, recording, streaming audio)<\/li>\n<li>Venue rules (mandatory in-house techs, approved vendor lists, noise limits)<\/li>\n<li>Schedule complexity (rehearsal days, split shifts, late-night teardown)<\/li>\n<li>Access\/logistics (stairs, elevators, loading dock times, parking, distance)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Frequently Asked Questions (FAQ)<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">How much does a Sound Technician cost in Osaka?<\/h3>\n\n\n\n<p>Varies \/ depends. Costs are usually quoted as a half-day\/day labor rate, a per-event fee, or bundled with equipment\/venue technical services. For accurate pricing, share venue details, schedule, and microphone requirements.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">How to choose the best Sound Technician in Osaka?<\/h3>\n\n\n\n<p>Prioritize technicians who ask detailed questions (run-of-show, input list, stage plot), explain what\u2019s included, and confirm venue rules. Clear communication and a defined setup\/soundcheck plan matter as much as gear.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Are licenses required in Osaka?<\/h3>\n\n\n\n<p>For most live sound work, a specific license is not universally required. Requirements may come from the venue, insurance policies, or production safety rules. If a credential is needed for your event, confirm it during booking.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Who offers 24\/7 service in Osaka?<\/h3>\n\n\n\n<p>Not publicly stated. True 24\/7 audio support is uncommon and usually limited to production companies with rotating staff. If you need overnight support, ask specifically about availability and emergency call-out fees.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Should I hire a Sound Technician through the venue or independently?<\/h3>\n\n\n\n<p>If you\u2019re hosting in a major venue, in-house technical services may be required or strongly recommended. For private venues or custom builds, an independent Sound Technician or production company can offer more flexibility.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What information should I prepare before requesting a quote in Osaka?<\/h3>\n\n\n\n<p>Prepare: venue address, event date\/times, audience size, run-of-show, number of speakers\/performers, microphone count, music playback needs, and whether you need recording or livestream audio routing.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What\u2019s the difference between a Sound Technician and an AV company?<\/h3>\n\n\n\n<p>A Sound Technician focuses on audio. An AV company may provide audio plus video, lighting, staging, and project management. For multi-room conferences or hybrid events, an AV team can reduce coordination risk.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Can a Sound Technician provide equipment rental in Osaka?<\/h3>\n\n\n\n<p>Many do, but not always. Some are labor-only and will specify a rental partner. Ask whether the quote includes PA speakers, mixer, microphones, stands, cabling, and backup options.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">How far in advance should I book a Sound Technician in Osaka?<\/h3>\n\n\n\n<p>For peak seasons, weekends, and major event dates, earlier is safer\u2014especially if you need both staff and equipment. For venue-based events, booking windows depend on the venue\u2019s scheduling process.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What should be included in a professional audio quote?<\/h3>\n\n\n\n<p>At minimum: labor hours, equipment list (if any), setup\/soundcheck time, operator coverage during the event, teardown, transport fees, and any overtime terms. If livestreaming is involved, confirm deliverables and routing responsibility.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Final Recommendation<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>If you\u2019re producing a <strong>large or technically complex event<\/strong> (multi-zone audio, hybrid streaming, tight show cues), start with an established production provider such as <strong>Hibino<\/strong> and request a scoped proposal. This route suits premium, high-stakes events where planning and redundancy matter.<\/li>\n<li>If your event is happening inside a major Osaka venue like <strong>Billboard Live OSAKA<\/strong>, <strong>Zepp Osaka Bayside<\/strong>, <strong>Grand Cube Osaka<\/strong>, or <strong>Osaka-j\u014d Hall<\/strong>, you\u2019ll often get the best outcome by using the <strong>venue\u2019s technical services<\/strong> (or confirming how external crews integrate). This reduces friction with house systems, schedules, and venue rules.<\/li>\n<li>For smaller private events on a budget, get multiple quotes and compare scope carefully\u2014especially what\u2019s included (engineer-only vs. engineer + PA). The cheapest option can become expensive if equipment, rehearsal time, or additional staffing is excluded.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Get Your Business Listed<\/h2>\n\n\n\n<p>If you\u2019re a Sound Technician in Osaka and want your details added or updated in this guide, email <strong>contact@professnow.com<\/strong>. You can also registe &amp; Update yourself at https:\/\/professnow.com\/.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8212;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,512],"tags":[],"class_list":["post-11525","post","type-post","status-publish","format-standard","hentry","category-osaka","category-sound-technician"],"_links":{"self":[{"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/posts\/11525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/comments?post=11525"}],"version-history":[{"count":0,"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/posts\/11525\/revisions"}],"wp:attachment":[{"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/media?parent=11525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/categories?post=11525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/professnow.com\/profession\/wp-json\/wp\/v2\/tags?post=11525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}